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| Drive (2011) Dir. Nicolas Winding Refn. A complicated affair; the composition illustrates brilliantly here The Drivers inability to take his love interest for his own. |
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| Last Year at Marienbad (1961) Dir. Alain Resnais. An enigmatic film dealing heavily with repetition, placing affairs into an uncertain continuity. |
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| Peeping Tom (1960) Dir. Michael Powell. In this penultimate scene, the anti-protagonist Mark faces his trauma (a video projection) which led him to subsequent murders, while behind him on the right is his love interest and saving grace. |
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| Mulholland Dr. (2001) Dir. David Lynch. Here a woman with no memory of her own identity searches for a name so as to not rouse suspicion in a helpful stranger. Ironic that in this movie centred on the film industry she chooses an actresses name taken from a reflection; both film and mirror, a mimetic medium. |
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