Call for Artwork

After a visit to the studio by Kit we have decided to press on with an exhibition of work by TheBlackSwanCollective to be held within my studio. The only restraints on what can be exhibited is obviously dependent on your budget but also there is limited floor space, so I don't recommend any sculpture. There is sufficient wall space for each of us to show about two bits of work each and there are televisions available to show multiple video works. I was thinking that Geofest could be a good opportunity to give some work to me, so I will set this as the deadline to hand in some work. I know that is only a week long but a week is plenty of time as I am looking for anything. As for Michael and Kit who are in Scotland, if you wish to create some work in the studio that you cannot make at home feel free to come along at any time to do so.

In other news

This could be the first and last exhibition of BlackSwanCollective at the studio as I have just been offered by Young Scot an empty shop in Falkirk, these are the only images I have of the space at the moment. 



From the bollard and pathing in the second image makes me think that the shop is in Falkirk High Street obviously the most busiest street in town so worth pursuing. From the information given to me by Young Scot the shop is large enough to hold 20 people and is available for how long I want it as the owner of the shop is happy for it to become an art gallery. I also believe that I am being offered this space for free. I have a meeting in Edinburgh with the people at Young Scot to fill out some "practicalities" on the 6th of June, so I shall find out then if the space is ours.

Hopefully if I get this space we can use it as a platform or base for our charitable causes. After discussing becoming a charity with Kit we think it is best to discuss what the aims and goals of our charity would be plus we need to agree on a suitable name before filling out the many application forms. I believe the names TheBlackSwanCollective, Manifesto or BadgerBadger should be kept separate from the charity as our charitable organisation would be representing these groups and potentially others. I shall update more information when I get it.

Craig

Latest Offerings


After speaking to the person responsible of curating this FVOS Exhibition I was granted til wednesday to get work finished despite the deadline being yesterday, Thursday 19th of May. Which has given me the time to create another I could make this better sign. I think it will be this version of the sign that I submit for the exhibition that opens on the 4th of June. I know the picture isn't the best as there is too much interference from the signs on the wall but its the best I can do for now, without taking the work off the wall. 


This was another contender for the exhibition but decided against it as the I could make this better fits in better with the context and content of the exhibition.

Through making these signs I was asked to make some signs for a guitar tuition business that work from a studio just down from mine,
Craig 

you know what?

theyre all here if youre interested

http://www.thisiscentralstation.com/opportunities/live-opportunities.aspx?p=2


*Jen*

another :)

 
Project description
HUNTED PROJECTS is a contemporary visual art exhibitions platform based in Edinburgh, Scotland. HUNTED PROJECTS focus is to showcase the artwork of national emerging artists and to expose current developments within and out with the capitals burgeoning arts circuit. HUNTED PROJECTS aim is to give artists the opportunity to have their works exhibited within alternative spaces where a more diverse audience will have the opportunity to view contemporary works out with the traditional white cube space.

HUNTED PROJECTS is therefore accepting submissions within the following areas: Drawing, Film, Installation, Painting, Performance, Photography, Print and Sculpture.
Submission instructions
All entries please submit the following:

-Name and Contact Details
-Current CV with Artists Statement
-Max of 5 Images (Jpegs)

Please submit to - huntedprojects@mail.com

For the nudist in us all:

 
 
Project description
Tramway is looking for a young man aged 18 – 25 to pose naked as part of an artwork by Roger Hiorns.

The work, Untitled 2005-2010, features in British Art Show 7, and will be presented at Tramway from 27 May – 21 August 2011. It consists of a park bench with an occasional flame and at intervals (unannounced) a male figure sitting motionless on the back of the bench looking down on the flame.

The duration of each performance is approximately 20 minutes.

Requirements
- Young male of a similar appearance to the man pictured in the photograph below
- Willing to sit naked in the gallery and able to remain still
- Available for 20 minute shifts, once a week.
Fee: £15 per 20 minute sitting.
Submission instructions
Email a picture to anawowk@hotmail.com

*Jen*

One in Glasgow!

 
 
Project description
The Duchy is seeking proposals for future exhibitions in the gallery. We're looking to start a dialogue with artists who wish to be incorporated in 2 or 3 person shows in the space over the next year.

We have an open submission policy but would like to recieve proposals over the next few weeks in order to make programming decisions for the summer months.

The Duchy is a gallery working with the most exceptional recent graduates, emerging artists, more established practitioners and other artist-led initiatives. We are dedicated to promoting exchange, dialogue and experimentation around contemporary art with a focus on providing a supportive and engaging environment and workspace.

The gallery and project space offers a professional platform and experimental space for artists to develop their ideas, explore new directions and host a range of artist talks and events.

The Duchy was established in June 2009 and is run by a team of two directors, Lauren Currie and Ainslie Roddick. We are open to collaboration, and wish to make the duchy a welcoming and autonomous place for exchange with other initiatives. If you have an idea for a project or collaboration please contact us on theduchygallery@gmail.com.

Submission instructions
Please email or post:

- 5-10 images
- A current CV
- Short artist statement
- Short proposal (this can be very informal)

23 Duke Street Glasgow G4 0UL

The Duchy is unable to reply to all subsmissions.
Project Posted by: the_duchy

*Jen*

Calling for Artists!

Project description

We are aiming to give artists the most flexible platform available to sell their work and break down the barriers between artists and buyers. We are giving all selected artists, who can be from any stage in their career and any discipline, the opportunity to sell work from any stage in the creative process resulting in a range of content and price to suit all tastes and budgets. We target mainstream audiences through our cutting edge online gallery and our art sales and consultancy targets the exclusive and more traditional art market in person.

Submission instructions

Register your interest at www.artpistol.co.uk or email images of your work to ali@artpistol.co.uk.
Project Posted by: artpistol

Manifesto for FVOS

John, What is the current status of the latest edition of Manifesto? I ask because on the 11th of June until the 19th of June I am opening my studio like many other artists through out the Forth Valley area and I would like to distribute some sort of Manifesto magazine to the members of the public who come along. Last year over 600 people turned up so it would be a good way to get Manifesto of some sort out there, even if it is in Forth Valley. Forth Valley is more or less Falkirk and Stirling.

An idea could be to send me scanned copies of the work you have already been sent, I can then print them out and staple them together to produce a mini-zine, if that is Ok with everyone else.

Speaking of Manifesto all editions that I placed around town and in Glasgow (Transmission and Plan B Books) are now all gone.

Thanks Craig

Black Pig Lodge





It's finally finished & open to the public!

As some of you know I've been working as an assistant to Heather & Ivan Morison for the last month or two helping to make this. It's called Black Pig Lodge and is installed at the Hayward Gallery for the Festival of Britain. I reckon it's a pretty impressive structure and well worth checking out if you're in London over the next few months.


More info at

http://ticketing.southbankcentre.co.uk/find/hayward-gallery-and-visual-arts/tickets/black-pig-lodge-1000112

http://www.morison.info/

Sam

Forth Valley Open Studiost 4th of June


So the annual Forth Valley Open Studios Exhibition is upon us yet once again, however this year I have decided to enter this wall based/painting exhibition. I'm not actually sure what piece of povera arte that I should enter for this prestigious event. At the moment I am currently thinking about entering my pallet raised on bricks plinth accompanied by a cut out sign, saying 'Make Love Not Art' (see above) A direct response to Bob and Roberta Smiths work 'Make Art Not War'. I will hopefully have photos of the finished outcome tomorrow. Obviously I would have liked to submit the femmage to Duchamp How Come Ugly Gals Get Pregnant.   Out of all the text based work that I have posted up in the past couple of day, what do you all think would work best within this brown art environment?

Craig

Ma show postcards

I am seriously  considering using this image for the publicity postcards for my end of year show

Is it a good idea? Do I have the balls to hand out semi naked photos of myself to strangers?

Two days to make my mind up!




Sam x


Some work I done today











'What is the significance of this' is my favourite from today as I am liking the idea of an artwork that is making a comment about its self and encourages a critique of the work. Thought I'd throw in an image of a flesh tint stick at the end there something else that I am working on.

Craig

Frieze Writer’s Prize 2011

Here's one for Michael (think I mentioned it to you last year too?) or anyone else who fancies giving their quill a good workout - previous winning entries seem to always be for big exhibitions, and with the British Art Show approaching soon on your doorstep it's worth a try at the very least...

http://www.frieze.com/writersprize/category/wp_2011/

John

Election

As I am watching the SNP win a majority of the vote in Scotland, I thought I would take the time and post up some of their policies towards the arts and culture as many of us aim to be living in Glasgow later this year.

Last Thursday, Voluntary Arts Scotland held a hustings at the Fruitmarket Gallery in Edinburgh, to quiz politicians from the major political parties about arts and culture.

Here is the majority of the entry with regards to culture:

Through creative expression we see and understand ourselves as a society and as nation. Scotland has a wealth of creativity and through our culture – in its many forms – we enrich our lives and our learning, our economy and our society. Over these next five years the SNP is determined to build a more vibrant nation with creativity recognised and promoted and our artists and performers given new support and encouragement to excel in what they do. With our undoubted talent, world-renowned festivals, rich heritage and linguistic diversity we have strong foundations. And, through the effective use of new technology and with the creation of new ways of supporting culture and artists, I have no doubt that the next five years are years of great potential. Scotland can and will flourish and, as we work to build a better nation, our artistic communities have a central role to play as the cultural champions of our nation, at home and in the world.

Culture
We will support Creative Scotland as it takes forward its business plan and strategic vision, in turn, empowering our artists to be powerful advocates for Scotland at home and abroad.

Literature
We will establish a National Book Week from 2012 and further develop and enhance the artists‟ residency programme through the “Creative Futures” programme. This significant residency programme will support an initial 200 residencies across all artistic practices and genres, including writers.

Libraries
We want to support Scotland‟s network of libraries and see a future role for many local libraries as „cultural hubs‟ building on the valuable role played by libraries in communities across Scotland.

Education and Culture
We will take forward the proposals in the Education and Culture Action Plan and continue our support for the Creativity Portal to give teachers access to projects and opportunities offered by cultural organisations across Scotland. We will provide training and professional support to teachers and creative practitioners and take forward a National Arts Education Network.

Outreach
We will continue to support and encourage outreach and education programmes of the National Collections, National Companies and Creative Scotland and in particular will support the Let‟s Get Scotland Dancing initiative as part of the Commonwealth Games 2014 legacy work. We recognise the benefits of this work in terms of health and well-being as well as cultural experience, and the confidence and skills generated and developed by being involved in experiences such as music, dance, art and theatre.

Museums and Galleries
We will implement a new national strategy for Scotland‟s museum and gallery sector, including the establishment of a National Development Body. The Scottish Government will directly fund the Scottish Mining Museum, Scottish Maritime Museum, and Scottish Fisheries Museum.

Scotland’s languages
We support the introduction of a Scottish Studies element within the curriculum and see this as an important vehicle for protecting and promoting Scotland‟s languages and also their literature. We will develop a national Scots language policy, with increased support for Scots in education, encouragement of a greater profile for Scots in the media, and the establishment of a network of Scots co-ordinators. We will promote the acquisition, use and status of Gaelic through the implementation of the Gaelic Action Plan with the aim of ensuring that by 2021 the proportion of Gaelic speakers is back up to 2001 levels. We will continue to raise the profile of the Gaelic language across Scotland, and, crucially, ensure that in Scotland‟s most strongly Gaelic-speaking communities, Gaelic continues to be in use as a community language.

Heritage and Built Environment
We have introduced new legislation to protect and promote our unique heritage and built environment, providing new safeguards that prevent inappropriate development and allow us to pass on a legacy of which future generations of Scots can be proud. The historic environment directly supports around 41,000 jobs and is estimated to contribute more than £2.3 billion to Scotland, making it a significant contributor to sustainable economic growth. We will continue to support Historic Scotland as they take forward their strategy for sustaining and developing traditional building skills including their plans for a National Conservation Centre in Stirling. Across Scotland we have invested substantially in our nation‟s heritage including the Stirling Palace Project, the Royal Museum, National Portrait Gallery and the new Burns Museum in Alloway and this will remain a focus for the next five years.

St Andrew’s Day

The SNP believes that St Andrew's Day should be marked more widely across Scotland. To take this forward we will ensure that for 2014 - our next year of Homecoming - St Andrew‟s Day is celebrated as a full national holiday. We will assess the success of this initiative before setting out our proposals for future celebration of St Andrew‟s Day as a national holiday.
As well as the policy statements there is an interview between Joan Mcalpine and Fiona Hyslop which covers topics such as looking at new sources of funding and support; new ways of encouraging new audiences; moving forward on the Scottish Digital Network; developing film making in Scotland; creation of a New Music Scotland initiative to support existing an emerging commercial musicians; retention of the Youth Music Initiative; keeping both the Expo Fund and Made in Scotland funds; improving and expanding their Young Scots Fund. They also talk about how Scotland is blessed with a fantastic variety of festivals and how they will continue to encourage and support them; how they are using technology to promote the country‟s culture and heritage Internationally; taking forward the recommendations from the Traditional Arts Working Group over the next five years; developing a specific visitor programme in Scotland for the 2012 Olympic Games so we can attract some of the visitors to London here to Scotland and seeing traditional arts featuring prominently in the programme.


Here is the link to the rest of the Manifesto http://manifesto.votesnp.com/

Craig

Somethin' what I done jotted done in the wee small hours

n. /Dis-uh-loot/Diss-uh-loosh-uhn/Diss-il-loosh-uhn/ (meant?)
What is more important to the survival of an individual in society, compassion or detachment?

I am talented. I don’t say this without thought, consideration or experience. I am talented but I don’t say this to boast. In fact it is the antipode of how I act and how I feel. Never the less, objectively my intelligence is above the average. Yet I have no use for this talent, it is largely neglected. Is this caused by lack of motivation? Perhaps, partly, I accept some blame. But I can find no realistic outlet for my talent. I am proficient writer and enthusiastic artist, I can draw well, I can work with wood and metal, I can sew and knit, I am reasonably well read on various philosophies, politics, and art theories, I am said to be attractive, I am able bodied. I understand the things of life, the objective situation.

However, where has my above-averageness put me? Without home. Without work. Without conviction. Without confidence. Most importantly without satisfaction, even happiness. Why? Because I give up too easily. Because I don’t take responsibility. Because I am neurotic. Because I am undisciplined. Because I drink too much. So often I wonder what the point is, like those countless others before me. Why do so many resort to suicide? Because they have no talent, because they have not found their talent or because they forget their talent. What separates the geniuses of humanity from the billions upon billions of the rest of us? Fear or laziness, perhaps, but more likely it’s the chance, just the chance to apply oneself as one longs to. Let the farmers farm, the bakers bake, the builders build, the dancers dance, the writers write, the speakers speak and the artists... well whatever. I refuse to believe the capitalist rhetoric that each of us can achieve our dreams through application alone; opportunity is not in our hands. We are a race oppressed, save a lucky few - who sometimes turnout a genius. Yet we are so blinded by division that our oppression goes largely unchecked.

But this oppression is not as Orwell thought; a boot stamping on a human face, forever - no, because this image creates an immediate reaction, it is more subversive than this. It is more like a disease, like being born with downs syndrome or autism - you probably don’t know you have it till you’re told by someone who doesn’t. So is this a question of class? I am the underclass, I have always lived far below the monitory level our government defines as poverty, so please believe me when I say that class is illusion - there is no us and them. Even though I am poor I feel no different from the royalties. Class, as a concept, is only another method of false division. Class gives stability to intangible oppression, keeps the rich getting richer and the poor getting poorer. Destroy the concept of class, of heredity money and rights, and we will be brought so much closer. But we all know that. Don’t we?

The world is riddled with the disease of division, isolation, aggressive competition. Natural selection hasn’t been part of western life for a century at the very least, so we replaced it with our own competition. But everything about it is false, everything it teaches leads to ruin. Never in history have so many worked, for so little - and without complaint, save for those who aren’t working as they are. Because it is seen as necessary, necessary to work a till, to sit at a desk, to cold call, to ADVERTISE, for forty hours a week. And those who don’t, well they’re just lazy layabout leeches.

When did we become such sheep? Perhaps in school, the compulsory mangle which we are forced through, to squeeze the intrigue and joy out of life, in the stead of a hierarchy of knowledge: English, Mathematics, History. Because an enquiring, creative or even just realistic populous is not a manageable populous. Perhaps this is where the idea stems, of working hard only to achieve a grade - a number with which you can measure yourself to your fellows and look down on those in lower forms. This is the vicious self-esteem that comes to replace the natural joy which younger children feel.

The purpose of work is not to climb the social ladder, not to afford that new leather suite, that apartment in the west end, but of course, far more worth-while: it is to invent, to create, to produce for needs - not wants - of society, humanity. And this is done for nothing more than your own needs and the inimitable satisfaction that comes with a job done well.

So where do we go from here? Do we anesthetize ourselves against fictitious disorders and diseases, or do we open ourselves to the full analeptic intensity of this bizarre bazaar? Disillusionment is natural, but detachment is not. Disillusionment is brought about by compassion misplaced, detachment is created through anesthetic. In our society detachment is a requirement, the ability to ignore the distress and pain of others is a necessity. Empathy and compassion inhibits the individual’s chance of success at every level of a capitalist society. But when you’ve got your face pressed up against the glass, it is hard to see the whole picture.

The words of the great Tommy Wiseau, If a lot of people love each other, the world would be a better place, truly are, in vain.

And so what shall we wonder at? Our murders and massacres and missiles, and our irreconcilable regiments? Or our treaties whatever they may be worth; our symphonies however seldom they may be played; our peaceful acres, however frequently they may be converted into battlefields; our dreams however rarely they may be accomplished. The miracle of man is not how far he has sunk but how magnificently he has risen. (Ardey, R. 1961)

Yours Faithfully,
Michael


P.S. sorry.

Craig and Michael Collaboration








After Sam's demand of wanting to see more of signs I thought I would upload a couple rubbish quality images of work that Michael and myself have been working on and off for the past couple of months.

I will add some higher quality images of the work later as it is quite difficult to make out what the signs are actually saying. I'll include a little information about the work to keep everyone informed of our progress.

Craig